reviews
Third, and most memorably, there is a sparse but effective score by Max Wilson, performed by a small off-stage ensemble... Here, the music is a more subtle beast, cued to perfection and overwhelming the on-stage drama where necessary, as in the frequently-uncomfortable second half, with its grimly portentous torture scene. Wilson has approached the text like a great proof-reader, adding colour and tempering the occasional mis-step in the staging." Sachin Patel, Misplaced Swag
"Max Wilson also composes original music for the performance. Its sparse and awkward timbre creates an atmospheric accompaniment, both chilling and emotive." James Waygood, So So Gay
"A full, albeit small, theatre gave a standing ovation to the theatre company, as well as to the group of live musicians that provided musical interludes under the direction of the composer, Max Wilson."
Andrew Wagstaff, Pi Media
Andrew Wagstaff, Pi Media
"...the production is greatly enhanced by Max Wilson's original music which is played live on stage by musicians dressed as patients." Beth Eyre, Remotegoat
"The directors Tahsin Gemikonakli & Imogen Lewis did a fantastic job with this play, with the creative use of live music (beautifully composed by Max Wilson)..." Leigh-Anne Gilbert, London Festival Fringe